Alex Williams Returns To The Law Office!
In the heart of Yorkville, IL, nestled within the walls of a historic edifice that whispers tales of the past, The Law Office Pub & Music Hall stands as a testament to the evolution of space and spirit. From its inception in 1868, serving various purposes including the town’s first high school, to its transformation into a beacon for legal aid by Dallas Ingemunson and subsequently into the realm of music by his son Boyd Ingemunson, the venue has continually adapted, embodying the essence of reinvention. The stage, a sanctuary for artists and a platform for storytelling through music, welcomed Alex Williams back, an artist known for his deep-rooted connection to genuine, unadulterated soundscapes.
The evening began with the stirring sounds of Duke Ourlser, whose presence commanded the room with the unexpected but intriguing use of a duck call, signaling the start of his set. As the notes of Duck Blind permeated the air, it became clear this was more than just a concert—it was a gathering of souls linked by the universal language of music. Oursler’s set, particularly during Blame It All On Me, resonated deeply, reflecting on themes of choice and liberation, while his tribute to his father through The Promise Land tugged at the heartstrings of every listener, creating a collective moment of reflection and respect. His cover of Zach Bryan’s Revival and the heartfelt Mississippi Song offered a glimpse into the deep currents of life on the river, enriching the tapestry of the night.
As the anticipation built, the moment arrived for Alex Williams to grace the stage, a moment met with an electrifying energy that could only be described as palpable. Kicking off with No Reservations, the opening chords set the stage for a night of raw, unfiltered musical exploration. Through songs like Old Before My Time, and Rock Bottom, Williams showcased not just his versatility as a musician, but his courage to dive deep into the complexities of human emotion and experience.
With each song, including Fire, Waging Peace, and Conspiracy, Alex Williams unfolded layers of his artistic ethos, inviting the audience to embark on a journey of discovery and introspection. The Struggle stood out, not just as a testament to his songwriting prowess but as a mirror reflecting the oft-unseen battles fought in silence. The inclusion of a new song, Victim, alongside the enigmatic Chorus?, hinted at the ever-evolving narrative of Williams' musical odyssey, a narrative that resonates with the continuous quest for authenticity and meaning.
The collaboration with Duke Oursler for Freak Flag symbolized a confluence of creative energies, a celebration of individuality, and the unyielding spirit of defiance against conformist tides. As the set neared its end with Ain't Seen Nothing Yet and Little Too Stoned, it was clear that Williams had not only captivated the audience but had left an indelible mark on the soul of The Law Office.
The encore, a cover of the Grateful Dead's Deep Elem Blues, was a fitting close to a night that transcended mere performance. It was an invocation of shared human experience, of journeys through shadows seeking light, articulated through the strings of a guitar and the timbre of a voice that refused to be anything but earnest.
The Law Office Pub & Music Hall, with its unique blend of history, community, and an unyielding commitment to showcasing independent talent, provided the perfect backdrop for a night of profound musical expression. Alex Williams’ performance was more than just a concert; it was a statement, a declaration of the unassailable power of music to unite, to inspire, and to rebel against the silence of conformity.
In every note played and every lyric sung, the defiance and empowerment were palpable, embodying a sense of individuality and self-expression that defies societal norms. For those who ventured into The Law Office Pub & Music Hall that evening, it was an invitation to embrace their uniqueness, to revel in the passion and energy of the moment, and to carry forward the spirit of adventure that defines the very essence of music and life.
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Alex Williams Set List
No Reservations
Old Before My Time
Hellbent Hallelujah
Higher Road
Rock Bottom
Pay No Mind
Fire
Gimmie Back My Bullets (Skynyrd Cover)
Waging Peace
Conspiracy
Strange Days
The Vice
Struggle
Double Nickle
Confession
Victim
Chorus?
Freak Flag
Something To Prove
Old Tattoo
Lawyers, Guns and Money (Warren Zevon Cover)
Ain’t Seen Nothing Yet
Little Too Stoned
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Deep Elem Blues (Grateful Dead Cover)